Las óleos de todo Jacopo Amigoni


ID Image  Painting (From A to Z)       Details 
68500  
Jacopo Amigoni, Amigoni Bildnis einer Dame
 
 Amigoni Bildnis einer Dame   Bildnis einer Dame als Diana, Leinwand, 128 ?? 94 cm, Berlin, Staatliche Museen
67771  
Jacopo Amigoni, Barbara de Braganza
 
 Barbara de Braganza   1750(1750) Oil painting
70836  
Jacopo Amigoni, Bildnis einer Dame als Diana
 
 Bildnis einer Dame als Diana   128 x 94 cm,
77974  
Jacopo Amigoni, Carlo Broschi, Farinelli
 
 Carlo Broschi, Farinelli   Date between 1750(1750) and 1752(1752) Medium Oil on canvas Dimensions Width: 61 cm (24 in). Height: 82 cm (32.3 in). cyf
67639  
Jacopo Amigoni, Full resolution
 
 Full resolution   Full resolution‎ (772 X 880 pixels, file size: 110 KB, MIME type: image/jpeg) Juno Receiving the Head of Argos
78867  
Jacopo Amigoni, infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade
 
 infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amade   Maria Antonietta of Spain (1729-1785), infanta of Spain, daughter of King Philip V of Spain and of his wife, Elizabeth Farnese, and Queen consort of Sardinia as wife of King en:Victor Amadeus III of Sardinia. Deutsch: de:Maria Antonia von Spanien (1729-1785), Königin von Piemont-Sardinien, Infantin von Spanien, jxngste Tochter des spanischen Königs Philipp V. und dessen Gemahlin de:Elisabetta Farnese. Frau von König Viktor Amadeus II. (Sardinien-Piemont) (Herzog Viktor Amadeus III von Savoyen). Français : Marie Antoinette infante d'Espagne (1729-1785), reine de Sardaigne-Pixmont, duchesse de Savoie, fille de roi Philippe V d'Espagne, femme de Victor-Amxdxe III de Savoie. Español: es:Marxa Antonieta de España Magyar: Mxria Antonietta spanyol infxnsnő (1729-1785), szxrd-piemionti kirxlynx, savoyai hercegnx, V. Fxlöp spanyol kirxly xs Farnese Erzsxbet legkisebb lexnya, I. Viktor Amadx szxrd-piemonti kirxly (II. Viktor Amadx sayvoai herceg) felesxge. Polski: pl:Maria Antonia Burbon ca. 1750(1750) Oil on canvas cjr
28069  
Jacopo Amigoni, Joseph in Pharaob's Palace
 
 Joseph in Pharaob's Palace   mk61 Oil on canvas 325x283cm
3242  
Jacopo Amigoni, Juno Receives the Head of Argus
 
 Juno Receives the Head of Argus   c1730 Moor Park, Rickmansworth
58203  
Jacopo Amigoni, Juno Receiving the Head of Argos
 
 Juno Receiving the Head of Argos   Juno Receiving the Head of Argos (1730-32) Oil on canvas, 108 x 72 cm. Moor Park, Rickmansworth, Hertfordshire.
77007  
Jacopo Amigoni, Juno Receiving the Head of Argos
 
 Juno Receiving the Head of Argos   Date between 1730(1730) and 1732(1732) Medium Oil on canvas cyf
29053  
Jacopo Amigoni, Jupiter and Callisto
 
 Jupiter and Callisto   mk65 Oil on canvas 24 1/2x30"
81689  
Jacopo Amigoni, Maria Antonietta of Spain
 
 Maria Antonietta of Spain   1750(1750) Medium Oil on canvas cyf
70121  
Jacopo Amigoni, Marquis of Ensenada
 
 Marquis of Ensenada   Medium Oil painting Dimensions 104 x 124 cm
76919  
Jacopo Amigoni, Portrait of a Gentlemen in Blue Jacket
 
 Portrait of a Gentlemen in Blue Jacket   1st half of 18th century Oil on canvas 102 cm (40.2 in). Height: 127 cm (50 in). cjr
80702  
Jacopo Amigoni, Portrait of a Lady
 
 Portrait of a Lady   1st half of 18th century Medium Oil on canvas cyf
80148  
Jacopo Amigoni, Portrait of Barbara de Braganza
 
 Portrait of Barbara de Braganza   Date 1750(1750) Medium Oil cyf
78290  
Jacopo Amigoni, Portrait of Caroline Wilhelmina of Brandenburg-Ansbach
 
 Portrait of Caroline Wilhelmina of Brandenburg-Ansbach   1735(1735) Medium Oil on canvas Dimensions 2,439 x 1,524 cm (960.2 x 600 in) cyf
96771  
Jacopo Amigoni, Portrait of Maria Anna of Sulzbach
 
 Portrait of Maria Anna of Sulzbach   circa 1740(1740) Medium oil on canvas cyf
80153  
Jacopo Amigoni, Portrait of Marquis of Ensenada
 
 Portrait of Marquis of Ensenada   1750(1750) Oil on canvas 104 x 124 cm cjr
84060  
Jacopo Amigoni, Portrait of Marquis of Ensenada
 
 Portrait of Marquis of Ensenada   1750(1750) Medium Oil on canvas Dimensions 104 x 124 cm cyf
82760  
Jacopo Amigoni, Portrait of the Infanta Maria Antonia Fernanda
 
 Portrait of the Infanta Maria Antonia Fernanda   1750(1750) Medium Oil on canvas cyf
98112  
Jacopo Amigoni, Princess Royal and Princess of Orange
 
 Princess Royal and Princess of Orange   1736(1736) Medium oil cyf
32585  
Jacopo Amigoni, Recreation by our Gallery
 
 Recreation by our Gallery   mk79
28684  
Jacopo Amigoni, The Finding of Joseph's Cup in Benjamin's Bag
 
 The Finding of Joseph's Cup in Benjamin's Bag   mk61 c.1748 Oil on cnavas 281x355cm
67624  
Jacopo Amigoni, Venus and Adonis
 
 Venus and Adonis   c. 1740 Oil on canvas 45 X 75 cm (17.72 X 29.53 in)
67638  
Jacopo Amigoni, Venus and Adonis
 
 Venus and Adonis   Technique Oil on canvas Dimensions 45 X 75 cm (17.72 X 29.53 in)
69984  
Jacopo Amigoni, Venus and Adonis
 
 Venus and Adonis   Medium Oil on canvas Dimensions 045 X 75 cm
77962  
Jacopo Amigoni, Venus and Adonis
 
 Venus and Adonis   Date ca. 1740(1740) Medium Oil on canvas cyf
83237  
Jacopo Amigoni, Venus and Adonis
 
 Venus and Adonis   Date first half of 18th century Medium Oil on canvas Dimensions Height: 142 cm (55.9 in). Width: 173 cm (68.1 in). cjr
87314  
Jacopo Amigoni, Venus and Adonis
 
 Venus and Adonis   first half of 18th century Medium Oil on canvas cyf

Jacopo Amigoni
1685-1752 Italian Jacopo Amigoni Galleries He was born in Naples or Venice. Amigoni initially painted both mythological and religious scenes; but as the panoply of his patrons expanded northward, he began producing many parlour works depicting gods in sensuous languor or games. His style influenced Giuseppe Nogari. Among his pupils were Charles Joseph Flipart, Michelangelo Morlaiter, Pietro Antonio Novelli, Joseph Wagner, and Antonio Zucchi. Starting in 1717, he is documented as working in Bavaria in the Castle of Nymphenburg (1719); in the castle of Schleissheim (1725-1729); and in the Benedictine abbey of Ottobeuren. He returned to Venice in 1726. His Arraignment of Paris hangs in the Villa Pisani at Stra. From 1730 to 1739 he worked in England, in Pown House, Moor Park and in the Theatre of Covent Garden. From there, he helped convince Canaletto to travel to England by telling him of the ample patronage available. From his travel to Paris in 1736, he met the celebrated castrato named Farinelli. Later in Madrid, he was to paint a self-portrait with the singer and entourage. He also encountered the painting of François Lemoine and Boucher. In 1739 he returned to Italy, perhaps to Naples and surely to Montecassino, in whose Abbey existed two canvases (destroyed during World War II). Until 1747, he travelled to Venice to paint for Sigismund Streit, for the Casa Savoia and other buildings of the city. In 1747 he left Italy and established himself in Madrid. There he became court painter to Ferdinand VI of Spain and director of the Royal Academy of Saint Fernando. He died in Madrid.



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